© Fotoweberei & Schloß Wernigerode GmbH

Falkenstein Castle from the southeast

1849

The motif

This painter’s view can still be experienced much the same today – a real picture-postcard view, so to speak. Moreover, this castle is one of the most frequently depicted in the Harz region. It even surpasses the Brocken and can only be compared with the Regenstein Fortress. No wonder – even in early travel literature, Falkenstein was praised in superlatives and reached the peak of its popularity in the first half of the 19th century. 

Most painters – including Wilhelm Steuerwaldt – show the castle from the southeast, as this was the side from which visitors approached the gate, with the picturesque ruins of the outer bailey rising in front of it. On the other sides, the terrain drops steeply. In most paintings, visitors are also depicted, probably because there was always something going on here. During a tour of the castle, you can compare this painting with other Falkenstein artist views.

Burg Falkenstein von Steuerwaldt
© Kulturstiftung Sachsen-Anhalt, Wolfgang Fischer
Wilhelm Steuerwaldt

Artist

1849

Created

Oil on canvas

49.5 x 60.7 cm

Inv. No. Falk299

on display in the permanent exhibition at Falkenstein Castle

Hiking tip

A dense network of circular hiking trails allows you to enjoy the surrounding deciduous forests and many surprising views, whether towards the old Falkenstein Castle, to Meisdorf or around the Buchenberg. You can also collect a stamp of the Harz Hiking Badge at Falkenstein.

About the artist

Wilhelm Steuerwaldt (1815–1875) is one of the Harz painters from this region. More than 150 paintings and drawings with Harz motifs have been preserved, but unfortunately many of them only as photographs – probably because he didn’t paint for major exhibitions and museums, but rather for private patrons. As a result, more of his work was lost. He was the son of a drawing teacher from Quedlinburg. In nearby Halberstadt, Carl Hasenpflug taught the 15-year-old the basics of painting before Steuerwaldt later studied under Carl Friedrich Lessing at the Düsseldorf Art Academy. But then he returned home, living and working as a drawing teacher and painter in his hometown from 1839 onwards. The theatrical effect that makes Falkenstein Castle appear dramatically illuminated may have been inspired by Düsseldorf. The tree in the foreground is also artfully placed according to the golden ratio of the picture. It introduces the visual narrative that leads from the two slightly overdressed hikers to the castle.

The castle as a visitor magnet

What was so fascinating about Falkenstein? The castle is a large complex, even visited by medieval emperors, where all the typical castle elements have been preserved: the outer bailey, the kennel, the keep, the great hall. It once hosted famous figures; Eike von Repgow is said to have written his ‘Sachsenspiegel’ here, the most important law book from the Middle Ages to modern times. But Falkenstein also offers a special natural experience: according to old travel guides, one was supposedly able to see the Inselsberg and Erfurt from the keep, which is probably a bit of an exaggeration. What is true, however, is that the castle is situated high above the Selke Valley, surrounded by vast deciduous forests and yet centrally located: from Mägdesprung or Ballenstedt it takes two or three hours on foot. In addition, autumn is a splendid painter each year, and spring, in its tender green, is just as lovely. A small slope east of the castle gives a surprisingly wide view of it. Last but not least, the castle owner ensured the preservation of the building and offered refreshments, even accommodation for hikers, as early as 1800. He even hired a caretaker especially to give guided tours of the castle.

So, as so often, it’s the combination that makes it special. That’s why people came from all over: Dresden painters such as Adrian Ludwig Richter and Ernst Ferdinand Oehme; from Hamburg, Jacob Gensler and Friedrich Wasmann; from Berlin, Carl Blechen and Adolph Menzel; from Düsseldorf, many artists; from Kassel, Adolph Carl; and from Thuringia, Ferdinand Bellermann and Carl Hummel, to name only the best known. Each painting, in turn, added to Falkenstein’s fame. Incidentally, the castle was also the filming location for many DEFA fairy-tale films and has thus shaped how today’s generations imagine a medieval castle.

For comparison

Carl Blechen, Falkenstein Castle, probably 22 Sept 1833, watercolour over pencil, 22.9 x 32.7 cm, private collection

Blick auf Falkenstein
© Privatbesitz

With just a few strokes and colours, seemingly effortless yet full of energy, Carl Blechen sketched the Falkenstein. Almost brilliantly so. He probably had ink colours with such a monochrome palette with him, since in a similar style he also painted a sketch in the Selke Valley on 22 September. He must have been travelling for many hours, because from that same 22 September 1833 we have sketches by him from the Selke Valley, from Gernrode, and from the Bode Valley.

Heinrich Mittag, Falkenstein Castle, around 1824, coloured outline etching, plate size 33 x 59 cm, Bode Collection, Hamburg

Falkenstein von Mittag
© Sammlung Bode, Hamburg